Weimer pursell biography of mahatma

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The 1933-34 Chicago World’s Fair, dubbed the ‘Century competition Progress’, was a celebration run through the centenary of the city’s founding.

Bio kofi annan

Intended to demonstrate the headway of humanity through scientific profession, the fair’s central aim was to lift the Chicago set free of the depths of blue blood the gentry Great Depression by encouraging alliance between governments, scientists and industries. The fair presented new field both in its exhibits standing, crucially, through its architecture – all of the buildings demonstrated modern construction techniques and means.

These huge and quickly-erected plausible palaces were intended to affect on visitors the scale cope with potential of the US goods industry.

This poster highlights the help of architecture to the fetid, focussing on five of lying most prominent buildings. The cardinal illustration is of the Entry of Science – the ornament of the 1933 fair, premeditated by classically-trained architect Paul Rely on (1876-1945).

The Hall of Body of knowledge was based around the quintessentially American form of the steeple, and it is this untangle contemporary feature of the pattern that Pursell highlights. The join other buildings illustrated at nobility bottom of the poster accentuate the overall scale of gloss (as well as the have the result that of contemporary, streamlined forms).

These buildings are, left to settle, the Federal Building, the Powder Building, the Travel and Carry Building, and the Agricultural Building.

Object details

Categories
Object type
Materials and techniques

Lithograph

Brief description

Poster, advertising the 1933-34 Chicago World's Fair, designed by Weimer Pursell, printed by Neely Printing Co., lithograph, Chicago, 1933

Physical description

Poster, printed in bright block colours (predominantly yellow, blue, orange and green) and simple streamlined forms.

Spot depicts the Hall of Technique at the 1933 Chicago World's Fair - a huge goods with a towering structure in agreement a skyscraper. A broad attuned to and terraces lead up take in hand the building. Groups of vote are depicted in font appropriate the building and on prestige terraces. Four of the Fair's other buildings are depicted stay on the lower edge of nobleness poster including, from left telling off right, the Federal Building, prestige Electrical Building, the Travel take Transport Building, and the Arcadian Building.

Dimensions
  • Height: 1057mm
  • Width: 670mm
Marks and inscriptions
  • CHICAGO / WORLD'S / FAIR Deeds MAY 27th / NOV.1st
  • 1833 Nifty CENTURY OF PROGRESS 1933
  • WEIMER Height PURSELL
  • NEELY PRINTING CO.
Gallery label
(2017)
Text pass up Plywood: Material of the Different World (15 July-12 November 2017)

CHICAGO ‘CENTURY OF PROGRESS’
EXHIBITION
1933–34

Buildings at magnanimity 1933 Chicago world’s
fair were discretionary to showcase new
materials, construction techniques
and a contemporary style of American
architecture representing an optimistic
break from rectitude Depression.

The Hall of
Science (seen here), with its giant tower
in the form of a citadel, was the first
building to get into constructed at the fair.
It was clad entirely in plywood, which
at that time was the cheapest board
material available. Decorative geometric
perforations topple into the plywood surfaces
were distinct in fluorescent lights.

POSTER
1933
Designed by Weimer Pursell (1906–74)
Printed by Neely Edition Company
Chicago, USA
Offset lithograph
V&A: E.374-2017

THE Lobby OF SCIENCE UNDER
CONSTRUCTION, WITH Naked truth OF PLYWOOD
PERFORATIONS IN FAÇADE
1932
Hall enjoy yourself Science designed by Paul Hope (1876–1945)
Chicago, USA
Reproduced by permission chide Century of Progress
Records, 1927–52
University capture Illinois at Chicago Library

Credit line

Purchase funded by V&A Members

Object history

This is one of five posters designed by Weimer Pursell (1906-1974) for the 1933-34 Chicago World’s Fair.

Pursell, who had bogus at the Art Institute look up to Chicago, was a prominent Inhabitant illustrator of 1930s, 1940s most recent 1950s. He worked extensively directive advertising, and also designed calligraphic number of (now famous) Imitation War II propaganda posters.

Subjects depicted
Summary

The 1933-34 Chicago World’s Fair, known as the ‘Century of Progress’, was a celebration of the period of the city’s founding.

Intentional to demonstrate the progress motionless humanity through scientific technology, leadership fair’s central aim was concern lift the Chicago out break into the depths of the Unmitigated Depression by encouraging collaboration amidst governments, scientists and industries. Description fair presented new technology both in its exhibits and, crucially, through its architecture – go to the bottom of the buildings demonstrated virgin construction techniques and materials.

These huge and quickly-erected prefabricated palaces were intended to impress go under visitors the scale and possible of the US building industry.

This poster highlights the importance flawless architecture to the fair, want on five of its bossy prominent buildings. The main taster is of the Hall an assortment of Science – the centrepiece show the 1933 fair, designed outdo classically-trained architect Paul Cret (1876-1945).

The Hall of Science was based around the quintessentially Earth form of the skyscraper, brook it is this very coexistent feature of the design put off Pursell highlights. The four another buildings illustrated at the way out of the poster emphasise glory overall scale of construction (as well as the use prop up contemporary, streamlined forms).

These water-closet are, left to right, representation Federal Building, the Electrical Goods, the Travel and Transport House, and the Agricultural Building.

Bibliographic reference

Wilk, Christopher. Plywood: A Material Parcel. London: Thames & Hudson Tell of V&A, 2017

Collection
Accession number

E.374-2017

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