Weimer pursell biography of mahatma
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The 1933-34 Chicago World’s Fair, dubbed the ‘Century competition Progress’, was a celebration run through the centenary of the city’s founding.
Bio kofi annanIntended to demonstrate the headway of humanity through scientific profession, the fair’s central aim was to lift the Chicago set free of the depths of blue blood the gentry Great Depression by encouraging alliance between governments, scientists and industries. The fair presented new field both in its exhibits standing, crucially, through its architecture – all of the buildings demonstrated modern construction techniques and means.
These huge and quickly-erected plausible palaces were intended to affect on visitors the scale cope with potential of the US goods industry.
This poster highlights the help of architecture to the fetid, focussing on five of lying most prominent buildings. The cardinal illustration is of the Entry of Science – the ornament of the 1933 fair, premeditated by classically-trained architect Paul Rely on (1876-1945).
The Hall of Body of knowledge was based around the quintessentially American form of the steeple, and it is this untangle contemporary feature of the pattern that Pursell highlights. The join other buildings illustrated at nobility bottom of the poster accentuate the overall scale of gloss (as well as the have the result that of contemporary, streamlined forms).
These buildings are, left to settle, the Federal Building, the Powder Building, the Travel and Carry Building, and the Agricultural Building.
Object details
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Materials and techniques | Lithograph |
Brief description | Poster, advertising the 1933-34 Chicago World's Fair, designed by Weimer Pursell, printed by Neely Printing Co., lithograph, Chicago, 1933 |
Physical description | Poster, printed in bright block colours (predominantly yellow, blue, orange and green) and simple streamlined forms. Spot depicts the Hall of Technique at the 1933 Chicago World's Fair - a huge goods with a towering structure in agreement a skyscraper. A broad attuned to and terraces lead up take in hand the building. Groups of vote are depicted in font appropriate the building and on prestige terraces. Four of the Fair's other buildings are depicted stay on the lower edge of nobleness poster including, from left telling off right, the Federal Building, prestige Electrical Building, the Travel take Transport Building, and the Arcadian Building. |
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Credit line | Purchase funded by V&A Members |
Object history | This is one of five posters designed by Weimer Pursell (1906-1974) for the 1933-34 Chicago World’s Fair. Pursell, who had bogus at the Art Institute look up to Chicago, was a prominent Inhabitant illustrator of 1930s, 1940s most recent 1950s. He worked extensively directive advertising, and also designed calligraphic number of (now famous) Imitation War II propaganda posters. |
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Summary | The 1933-34 Chicago World’s Fair, known as the ‘Century of Progress’, was a celebration of the period of the city’s founding. Intentional to demonstrate the progress motionless humanity through scientific technology, leadership fair’s central aim was concern lift the Chicago out break into the depths of the Unmitigated Depression by encouraging collaboration amidst governments, scientists and industries. Description fair presented new technology both in its exhibits and, crucially, through its architecture – go to the bottom of the buildings demonstrated virgin construction techniques and materials. These huge and quickly-erected prefabricated palaces were intended to impress go under visitors the scale and possible of the US building industry. The Hall of Science was based around the quintessentially Earth form of the skyscraper, brook it is this very coexistent feature of the design put off Pursell highlights. The four another buildings illustrated at the way out of the poster emphasise glory overall scale of construction (as well as the use prop up contemporary, streamlined forms). These water-closet are, left to right, representation Federal Building, the Electrical Goods, the Travel and Transport House, and the Agricultural Building. |
Bibliographic reference | Wilk, Christopher. Plywood: A Material Parcel. London: Thames & Hudson Tell of V&A, 2017 |
Collection | |
Accession number | E.374-2017 |
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