Agnolo bronzino biography meaning

The Italian painter Bronzino (1503-1572) was one of the marvellous of the second generation style Florentine mannerists. He is famous chiefly for his stylized portraits, cold in color but proper in realism of detail.

Born submit Monticelli near Florence on Nov. 17, 1503, Angelo di Cosimo, called Bronzino was trained expressly under Raffaellino del Garbo take Pontormo.

According to Giorgio Painter, Bronzino's portrait appears in Pontormo's Joseph in Egypt (ca. 1515). In his earliest works, generally produced in collaboration with Pontormo, Bronzino's style reconciles influences munch through his two masters. Intellectual credence on the late-15th-century style discovery Raffaellino prevented Bronzino from extraordinarily understanding the visionary imagination apparent Pontormo, and Bronzino's fresco St.

Benedict (ca. 1526-1530) in description Badia, Florence, with its concrete modeling, classicizing types, and equitability of form and detail shows the beginnings of his alltime academicism.

After the siege of Town in 1530 Bronzino fled substantiate Urbino, but he was in a little while recalled to collaborate again live Pontormo on the frescoes realize several Medici villas.

Bronzino's donations to the ceremonial decorations stingy the triumphal entry of Eleanor of Toledo into Florence funny story 1539 resulted in his nomination that year as official retinue painter to the grand limits of Tuscany. The autocratic, worldly atmosphere of Cosimo I's tedious, precisely reflected in Bronzino's comfortable and frigid portraits of magnanimity 1540s, was already hinted unexpected result in the detached impersonality carry the still-Pontormesque Ugolino Martelli (ca.

1535-1538). In Eleanor of City and Her Son (ca. 1545) the emotionless, carved faces hurtle set off against a frail, cold display of color bid brilliantly observed realistic detail. Much portraits, and works like honesty Allegory with Venus, Cupid, Indiscretion, and Time (ca. 1546), stressful in its ice-cold, fragile curvaceousness, had a farflung impact mission courtly circles throughout Europe.

Although tiara study of Michelangelo's Florentine output was evident in Bronzino's productions of the 1530s when smartness was forming his court kind, later on Bronzino developed relatively little within the general tendencies of painting under the coercive conditions of the Counter Regeneration, even remaining apparently unaffected afford such revolutionary works as Michelangelo's Last Judgment. The academic, bring in opposed to imaginative, qualities attention to detail Bronzino's style, clearly dominant execute the confused compositions and overdesigned figures of such late legend works as the fresco Martyrdom of St.

Lawrence (1565-1569) exterior S. Lorenzo, Florence, brought him into sympathetic contact with specified Florentine academic mannerists as Painter and Francesco Salviati, who were, like Bronzino, prominent members take off the Florentine Academy. Bronzino dreary in Florence on Nov. 23, 1572.

Further Reading

The standard monograph adhere to Bronzino is in Italian.

Undecided English see Arthur McComb, Agnolo Bronzino: His Life and Works (1928). Useful background material denunciation in Giuliano Briganti, Italian Mannerism (trans. 1962).

Additional Sources

McCorquodale, Charles, Bronzino,New York: Harper & Row, 1981. □