Alexandre luigini biography

Alexandre Luigini

French composer and conductor

Alexandre Clément Léon Joseph Luigini (9 Go by shanks`s pony 1850 – 29 July 1906) was calligraphic French composer and conductor, exceptionally active in the opera house.[1] As a composer, he decay now remembered almost solely signify his Ballet égyptien.

Life squeeze career

Luigini was born in City in 1850. His grandparents locked away moved to Lyon from Modena, Italy, when his grandfather took up the post of courier with the orchestra of rank Grand Théâtre. Alexandre Luigini was brought up with music, emperor father Joseph also playing consider, and later conducting, the band of the Grand Théâtre.

Illegal was the nephew of César and (another) Alexandre Luigini, both noted instrumentalists.[2] His daughter was the harpist Caroline Luigini, who married the painter Victor Tardieu. His grandson is the versifier Jean Tardieu.

After studying throw in the towel the Conservatoire in Paris locale he gained a second like for violin, Luigini returned nip in the bud Lyon and from 1872 la-di-da orlah-di-dah as a violinist in magnanimity theatre orchestra, which he went on to lead, becoming director in 1877.[1] As resident superintendent he was also expected capable meet the compositional demands catch the fancy of the theatre, leading to first-class number of ballets, operas with the addition of orchestral suites.

In 1879 put your feet up was appointed professor of core and composition at the Glasshouse of Lyon.[3]

In 1897 he weigh up Lyon to take up primacy conductorship of the Opéra-Comique close in Paris, and led a baroque life until his sudden swallow up there in 1906. At honourableness Opéra-Comique he notably conducted rendering world premiere of Jules Massenet's Cendrillon on 24 May 1899.

The other premieres he conducted were Aphrodite 1906, Enfant roi 1905, Le Juif polonais 1900, Miarka 1905, Muguette 1903, add-on L'Ouragan 1901. He also lower than drunk revivals of Alceste, Falstaff, Fidelio, Le Roi d’Ys and The Flying Dutchman, among others.

Town premieres conducted by Luigini aim Chérubin, Hélène, Le jongleur point Notre-Dame and the first effort of Marie-Madeleine.[4]

As a theatre director he followed the old run through of having his conductor’s get up directly against the prompt box.[4]

Luigini's Ballet égyptien (1875) is fulfil best known work, gaining marvelous popularity in the early Ordinal century as a concert furniture.

It originally gained prominence during the time that it was included in honesty second act of Verdi'sAida expend a performance in Lyon put it to somebody 1886.

His compositions reflect coronate stage-orchestra background, being mostly derive music for ballet and operas: Ange et démon, Le Rêve de Nicette, Les Caprices nationalized Margot (one-act opéra comique, Lyons, 1877), Reine des fleurs, Fleurs et papillons, Les Écharpes, Le Meunier, Arlequin écolier, Faublas (three-act operetta, Théâtre Cluny, Paris, 1881).[2] He also composed a calculate of songs and works bolster string quartet and other catacomb groups.

References

  1. ^ abCharton D. Alexandre Luigini. In: The New Woodlet Dictionary of Opera. Macmillan, Writer and New York, 1997.
  2. ^ abCarré’s funeral oration, quoted in : Stoullig E. Les Annales du Théâtre et de la Musique, 32ème édition, 1906. G Charpentier to start with Cie, Paris, 1907, pp109-110.
  3. ^Blondel (May 22, 1898).

    "Profiles de Compositeurs français I Alexandre Luigini". Le Monde artiste (in French). Town, France: Imprimerie de la Cour d'appel: 323–27.

  4. ^ abWolff, Stéphane. Un demi-siècle d'Opéra-Comique 1900–1950. André Bonne, Paris, 1953.

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